Supraja the student of A.Lakshman delivered a
soothing recital that had worthy notables. Gentle expressions and vivid
footwork constituted the blithering pushpanjali
in Simhendra madhyamam raga. Varnam was executed with jubilant confidence
levels coupled with transparent flaws in the form of non-synchronous footwork.
The beauty of khamas was personified
by Sri.Srikanth’s mellifluous voice in the padham
“Theruvil vaaraano” with Supraja portraying the naayika’s longing for a single gaze of Lord Shiva at her. The tint of imagination and fascination brought
out the imaginative counterpart of the choreographer. The Kathanakuthuhalam Thillana though well executed with a neat ending showed
some drawbacks like the lacking araimandi
and her inability to complete the steps. In a nutshell Supraja made complex
to simple giving a beautiful crisp maargam
with a pleasant smile carried throughout.
No comments:
Post a Comment